Showing posts with label Los Angeles street art. Show all posts
Showing posts with label Los Angeles street art. Show all posts

Tuesday, October 8, 2013

Body of Work

When you apply for anything in the art world you have to submit a body of work. Since i haven't been in the art-making business long, my body of work—in any given subject/medium— is about a leg's worth, or arm, or maybe just a finger, not more than that. I don't have a body of work in the traditional sense, something that could perhaps say I'm pursuing a course, and I'm not sure if I'll ever have one. But I thought I'd put a few things that I've done lately out there, and once on the page, see if there's any connecting theme, anything resembling a body (or at least a torso) of work. I think not....but judge for yourself.

Face for sleeping giant at top of Mt. Washington

Caroline Mole Rat 
(naked, in sewer)


 Held Hostage....in Silverlake

 Lord Howe Island Stick Insect crawling up side of house

Wheatpasted Crow at pehrspace

 Oh, and I have to add this sunny photo 
of Maya with Craig and Gabe Matthews
(now there's some bodies of work!)


~~~~



My adorable, licky rat Blu died last week. Tom and I were very sad; she was such a good rat. She kept us clean. Now, we both want another rat, but there's a mourning period. We'll just have to wait. Until then, in her honor, you'll see from this post on, a change in the Rat's Nest. I've gone for a simple blogger format. Good-bye dots. Good-bye Blu, you good rat you.

 Blu
(Oct 2011-Oct 2013)



Monday, June 10, 2013

Going into the Tunnel


If you had caught me in the middle of last week, you might have seen a beat-up, deflated woman of indeterminate state of mind, (wandering around with dirty hair and hands) wondering what in the hell she was doing painting huge rats and half clothed women for an art show, taking place in a tunnel, no less: why why why? I asked, as I slogged through masses of butcher paper and mistakes. What good could possibly come from this? Shouldn't I—the thought seriously crossed my mind, as the exhaustion wore on— be doing something useful with my time?

 




Not that I'm unfamiliar with this state of mind, but it almost stopped me, and boy am I glad it didn't. Not only because I wanted to work with artist Margaret Gallagher, who curated the Tunnel Art Show, but being part of a local art exhibit in North East Los Angeles turned out to be a gas! Seeing the people who filed through the tunnel on Saturday night was worth it alone. There was the art crowd, the college crowd (Margaret just graduated from Oxy, with a degree in art), the friend crowd, but there was also the Cypress Park neighborhood crowd, who probably never thought of going into a tunnel on a Saturday night, but seemed generally excited about what they were seeing. A lot of discussion was taking place under Figueroa St., when you get right down to it (down to it, get it, underground, hah!).

Thank you Cypress Park neighbors for participating in this event! Thanks to Yancey at Antigua Coffee House for his original idea to open the tunnel that runs from Loreto St. to Nightingale Middle School for local artists each month. (Here's an article about it.) And...Thank you Margaret!

Margaret Gallagher
curator of the Cypress Park Tunnel Art Show
 standing in front of her paintings

And, especially thank you to Molly Ruttan, my trustworthy, risk-taking, wheatpasting friend, who has helped me on almost every one of my street art ventures without uttering one complaint (and she's not even getting paid!). Thanks Molly, I couldn't have done it without you. 

Wheatpasters to the end!




 GOING INTO THE TUNNEL
(photos by Tom Harjo)

 Molly and Charlotte pasting...
Margaret at top of stairs

 






If you missed the tunnel art show, look for it as part of the NELA Art Walk, every second Saturday. For those of you who'd like to see the wheatpastes, the tunnel's closed, but you can view them from street level, on both sides of Fig. They'll be around for another month.

(And I almost forgot, thank you to Jocelyn Grau for her generous contribution!)


Thursday, March 7, 2013

Frogtown Rat Rider, Part Two


Dear Readers;

I had to do a little redo on this post. Some viewers were unsure as to what exactly they were looking at, that is, what was the original street mural, and what was my part. So I've added some photos to clarify. Also, my first post on the Rat Rider might help explain as well. 

Here was original Mayan mural found in Frogtown:

(Notice a ladder on the ground, 
perhaps they were trying to do a little touch up?)

And here was my first addition:

Frogtown Rat Rider
(click to make bigger)

And here is where I left off, adding the Mayan warrior boxer (or, at least, half of him):

Warrior Boxer and Frogtown Rat Rider,
Mayan mural on Blake Street

My friend Molly and I put this up last night right before it began to drizzle, then rain, and then pour, and I should have listened to her about the weather forecast, but I had a need to complete this incomplete mural, and so we went: step ladder in hand, two brushes, a bucket full of paste and our cameras that we couldn't use because our hands were too sticky.

Today Molly called after the rain and told me the boxer was still up (we had our doubts) but her mother, who she took along to see it, asked her why I hadn't finished the mural— those people with only one arm and leg, she couldn't understand it. She must've thought me lazy, leaving it so raw.

After we'd done the deed we went back to my house and played with rats, or the one that would play, Blu. Here's Molly and Blu, who couldn't stay away from each other, esp Blu, who had a thing for Molly's fake fur hoody. I had to make sure she didn't "accidentally" take my fat rat home with her.




Just hanging

•••

endnote: Like most natives of Louisville, KY, I'm a big fan of Muhammad Ali, who was born Cassius Clay in Louisville when it was still a fiercely segregated city. The book, Muhammad Ali: in Perspective, by Thomas Hauser (Collins Publishers San Francisco, 1996) was my inspiration for the warrior boxer, with a few tears thrown in for how much I love/loved the great Ali.