Showing posts with label stenciling. Show all posts
Showing posts with label stenciling. Show all posts

Monday, April 8, 2013

Along the Arroyo


There's a perfect little spot off Via Marisol in Highland Park, called Hermon Park, not more than ten minutes from my house, with lush lawns, a busy dog park, tennis courts and Art in the Park, home of the Lalo Guerrero School of music, run by the formidable Berta Sosa, a Mt. Washington neighbor. But best of all, and something I just discovered, is a way down into the Arroyo Seco, and onto the bike path. 

(You can't access the bike path at the pedestrian bridge, as Wikipedia claims, but further north, adjacent to the dog park. Watch out, sharp curve here!)

The Arroyo Seco is a stream that starts in the Angeles National Forest, makes its way down the mountain into La Canada Flintridge and Altadena, flowing underneath the Foothill Bridge, under the Colorado Bridge, then into a concrete flood control channel along the Pasadena Freeway, flowing southeast of Mt. Washington, past Hermon, Highland Park, Montecito Heights, Cypress Park, and ending at the LA River, near Elysian Park.

Whew. That's a busy stream, for such a meager trickle once it reaches L.A. But because it runs inside this wide, concrete channel, making the stream seem even more meager, there's plenty of room for biking.




The concrete walls are gray and ugly, but the ride itself is not, as you take the graceful curves and experience another world along the Arroyo. The other day, I rode past Montecito Heights, past my own exit, off the 110 freeway, then turned around and headed north for a mile or so, emerging near the San Pascual Stables in South Pasadena. 

Along the way I kept noticing chipped off indentations in the concrete banks, things that I'd otherwise not notice, save for the fact I'd just read cartoonist Lynda Barry's Picture This, a hard-to-describe illustrated book about the creative mind. She finds images in ink spots and stains on paper (Saul Steinberg found them in fingerprints!), augmenting them just a hair to make a monkey or a buffalo or any kind of  demented animal. And here they were in the Arroyo, chips that were life size, gouges formed by wind or water, or, perhaps, weak construction. 
 
I noticed this one in particular:


What does this look like to you?

A few days later, when it was almost dark, I came back with my partner in crime, Molly. We painted in the indentations:


  
Then I went to work stenciling what I had imagined: 
Africa and the island of Tazarat, Land of the Giant Rat!

(click to make larger)

It got darker and darker and I kept adding more rats, until it became a heavy migration. I'll call this one an experiment, not yet done. Of course there's no Tazarat, except in my mind, and on the digital pages titled "Voyage to Tazarat" in my computer. Now it exists on this wall, as well.



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For those of you who follow my other blog, Rat's Nest Comics, here's a new one called "Woman Seeking Treatment." Enjoy.


 

Tuesday, March 19, 2013

Street Art on the eastside....

I've been roaming around Highland Park and Silverlake today, trying to distract myself, bumping into dancing bums and art everywhere. After today I might even say that northeast LA is the street art capital of the world.

Take this first mural, made by Sand One that I saw on the side of a building on York Ave.

 Sand One
in Highland Park

Sand One is one of the most popular street artists around in this part of town. At first I wasn't so keen on her style, but now that I know what it takes, I'm a fan. See more of her work at: www.sandoner.com.

 My favorite mural in Highland Park, Monte Vista and Ave. 52

 Transmission Shop, York Ave. Highland Park

Wheat Paste on Figueroa near Ave 34,
Cypress Park

 Spray paint by Vixz
Ave. 56 and Fig

Utility box at Tropical Icecream
 Silverlake 
(where AA meets)

Today I started to experiment with a stencil and some cans of paint. It was the only thing, besides driving around and bumping into things, I found I could do.




This last one I call Triple Ratz, or Rat Dance
(Thanks, Melanie!!)

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And one last one: original art made in the street, with Louise Steinman, for a performance piece called, Dog's Head Route, performed in Portland, OR, 1980.

This is not a Rat